Well, hi there! It’s been a while since I’ve posted, but I come bearing something preeeeetty awesome.
It's a real, live book! And I wrote it!
I really, really love this book. A lot. Like, a lot, a lot. You know how writers often refer to stories as “books of their heart”? That’s what PLAY ON is for me. But a lot of work has gone into this little book over the past two years, from its original draft to the final product. And that's what we're going to talk about today.
Take a look at this picture:
Never mind the Lego photobombs. Those Post-It tabs? After a year's worth of editing, those are the only scenes left over from the original draft. In case you can't tell, that's 13 scenes. Out of, um, a lot.
I’ve written before about whether we want our stories to be good enough, or great, and this is kind of a continuation of that post. I’d say that most of the time, our first drafts are anything but great. There are some people who write AMAZING first drafts (and those people clearly have the favor of the writing gods), but for the most part, our work can be improved.
While I was waiting for my first edit letter after selling PLAY ON, my editor called me and asked, “How do you feel about cutting (insert major character here)?” My initial reaction, to be quite honest:
She explained her reasoning (which made complete and total sense), and after sleeping on it, I agreed, even though it meant essentially rewriting the story. Because, as I quickly learned, sometimes we have to part with beloved characters/scenes/subplots to really bring out the heart of a story.
She saw PLAY ON not for what it already was, but for what it could be. And that’s why having outside eyes on our work is SO important. We become so close to our stories that we often can’t see something that may be keeping it from reaching its full potential.
So. Let’s say that someone—a CP, a beta reader, or even you—suggests that a major change needs to happen to make your story better. Maybe a character needs to go. Maybe it’s a chapter. Maybe you need to open a blank doc and get to re-writing (points to above picture). Here are a few things to keep in mind:
- Be open to change.
- Think about what really matters in your story.
- Decide where you want your characters to go, and how you want them to get there.
I know how difficult it is to even consider a change that may mean more work, but when you end up with a story that you're so incredibly proud of? It's worth it.