Well, hi there! It’s been a while since I’ve
posted, but I come bearing something preeeeetty awesome.
It's a real, live book! And I wrote it!
I really, really love this book. A lot. Like, a
lot, a lot. You know how writers often refer to stories as “books of their
heart”? That’s what PLAY ON is for me. But a lot of work has gone into this
little book over the past two years, from its original draft to the final
product. And that's what we're going to talk about today.
Take a look at this picture:
Never mind the Lego photobombs. Those Post-It
tabs? After a year's worth of editing, those are the only scenes left over from the original draft. In case you can't tell, that's 13 scenes. Out of, um, a lot.
I’ve written before about whether we want our
stories to be good enough, or great, and this is kind of a continuation of that post. I’d say that most of the time, our first
drafts are anything but great. There are some people who write AMAZING first
drafts (and those people clearly have the favor of the writing gods), but for
the most part, our work can be improved.
While I was waiting for my first edit letter after selling PLAY ON, my editor called me and asked, “How do you feel about cutting
(insert major character here)?” My initial reaction, to be quite honest:
She explained her reasoning (which made
complete and total sense), and after sleeping on it, I agreed, even though it
meant essentially rewriting the story. Because, as I quickly learned,
sometimes we have to part with beloved characters/scenes/subplots to really
bring out the heart of a story.
She saw PLAY ON not for what it already was, but
for what it could be. And that’s why having outside eyes on our work is SO
important. We become so close to our stories that we often can’t see something that may be keeping it from reaching its full potential.
So. Let’s say that someone—a CP, a beta
reader, or even you—suggests that a major change needs to happen to make your
story better. Maybe a character needs to go. Maybe it’s a chapter. Maybe you
need to open a blank doc and get to re-writing (points to above picture). Here
are a few things to keep in mind:
- Be open to change.
- Think about what really matters in your story.
- Decide
where you want your characters to go, and how you want them to get there.
I know how difficult it is to even consider a change that may mean more work, but when you end up with a story that you're so incredibly proud of? It's worth it.
Thanks so much for sharing your experience with editing! Your advice is so encouraging! I actually have a file of deleted scenes from my first book. I was sad to part ways with some of my plot, but it made the story better. Looking back at that folder, I feel silly for making it, but having the original words there is comforting even if they are never used. The pic you posted is PERFECT. I can't tell you how many times I've felt that way!
ReplyDeleteGiant congrats again on PLAY ON. Wow - only 13 scenes remain from the original? It's amazing how a talented editor can push us to dig even deeper within ourselves. I also have a junk file titled Pieces and Parts filled with deleted scenes I couldn't permanently trash. They float around the massive file like spirits in a graveyard. Everyone once in a while, I'll visit them. :)
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