When One Change Makes All the Difference

Well, hi there! It’s been a while since I’ve posted, but I come bearing something preeeeetty awesome.

It's a real, live book! And I wrote it!

I really, really love this book. A lot. Like, a lot, a lot. You know how writers often refer to stories as “books of their heart”? That’s what PLAY ON is for me. But a lot of work has gone into this little book over the past two years, from its original draft to the final product. And that's what we're going to talk about today.

Take a look at this picture:

Never mind the Lego photobombs. Those Post-It tabs? After a year's worth of editing, those are the only scenes left over from the original draft. In case you can't tell, that's 13 scenes. Out of, um, a lot.

I’ve written before about whether we want our stories to be good enough, or great, and this is kind of a continuation of that post. I’d say that most of the time, our first drafts are anything but great. There are some people who write AMAZING first drafts (and those people clearly have the favor of the writing gods), but for the most part, our work can be improved.

While I was waiting for my first edit letter after selling PLAY ON, my editor called me and asked, “How do you feel about cutting (insert major character here)?” My initial reaction, to be quite honest:

She explained her reasoning (which made complete and total sense), and after sleeping on it, I agreed, even though it meant essentially rewriting the story. Because, as I quickly learned, sometimes we have to part with beloved characters/scenes/subplots to really bring out the heart of a story.

She saw PLAY ON not for what it already was, but for what it could be. And that’s why having outside eyes on our work is SO important. We become so close to our stories that we often can’t see something that may be keeping it from reaching its full potential.

So. Let’s say that someone—a CP, a beta reader, or even you—suggests that a major change needs to happen to make your story better. Maybe a character needs to go. Maybe it’s a chapter. Maybe you need to open a blank doc and get to re-writing (points to above picture). Here are a few things to keep in mind:

- Be open to change.

- Think about what really matters in your story.

-  Decide where you want your characters to go, and how you want them to get there.

- Don’t be afraid of the delete button. (And if you are afraid, create a separate doc to place all your scraps in.)

I know how difficult it is to even consider a change that may mean more work, but when you end up with a story that you're so incredibly proud of? It's worth it.

Author Interview: Michelle Smith

Visit author Michelle Smith's website.

We are so thrilled and honored to feature writer, critique group member, mental health advocate, and all-around awesome human,  Michelle Smith.  

Michelle’s debut novel YA novel, PLAY ON, is now available as an e-book and will be out in print on April 21^st. 

First, an intro to PLAY ON: 

PLAY ON

In the small town of Lewis Creek, baseball is everything. Especially for all-star pitcher Austin Braxton, who has a one-way ticket out of town with his scholarship to a top university. All that stands between him and a new start is one final season. But when Austin starts flunking Chemistry, his picture-perfect future is in jeopardy. A failing grade means zero playing time, and zero playing time means no scholarship.

Enter Marisa Marlowe, the new girl in town who gets a job at his momma’s flower shop. Not only is Marisa some home-schooled super-genius, she’s also a baseball fanatic and more than willing to help Austin study. As the two grow closer, there’s something about Marisa that makes Austin want more than just baseball and out of Lewis Creek–he wants a future with her. But Marisa has a past that still haunts her, one that she ran all the way to South Carolina to escape.

As Austin starts to peel back the layers of Marisa s pain, it forces him to look beyond the facade of himself and everyone he thought he knew in his town. What he sees instead is that in a small town like Lewis Creek, maybe baseball isn’t everything–maybe it is just the thing that ties them all together.

Purchase PLAY ON: Amazon  Barnes & Noble  Book Depository IndieBound 

RW: We have so many questions for you! But, we also know you are crazy busy with your release day (!!!) so we’ll try to keep it together. Let’s talk about your debut! You’ve mentioned PLAY ON is the book of your heart. Could you share what makes this story so dear to you?

MS: I think because it comes from such a personal place. It probably sounds cheesy, but so much of my heart and soul went into those pages. There are thoughts that I never thought I should share—thoughts that I didn’t know I could share. The idea for this book was in the works for a long time, until I finally worked up the nerve to start writing it. And I’m really glad I did! 

RW: I think many writers feel a sense of vulnerability putting their words out into the world. Not only have you jumped that hurdle, you’ve gone a leap further and opened up about yourself, authoring posts for outstanding sites like To Write Love on Her Arms and, don’t bleed. breathe. Can you tell us about the decision to share your personal experiences? 

MS: The primary reason is so others will realize that they’re not alone. 

When I was going through the thick of depression, I was convinced that no one could possibly understand what my head was doing. That I was broken, that I was scarred, that I was beyond reaching. That there was no possibility for this to go anywhere but down. Depression is a very convincing liar, and it’s easy to believe those lies. So I want others to know that, while depression is so very dark and painful, there is hope, and the darkness doesn’t last forever. 

RW: As critique partner, we’re all constantly amazed by your voice.  Your characters always ring true, so vivid and memorable. Can you share a little about your character development process? Character sketches? Channeling spirits? How do you do it?! 

MS: Good gracious, I adore you guys.

I just…write people? Haha! My stories are always characters first, and I love to dive into their heads, to feel what they’re feeling, to say what they’re thinking. I will say that some characters are a little more difficult to connect with at first. In my most recent WIP, I was called out for boxing myself and my characters in, which was completely justified (I kind of realized I was doing it while writing). So my editor sent me a character development worksheet that was 8 pages long (I am not even kidding), and I just went to work. I was able to dig into them a little deeper, and it helped immensely. 

RW: We’ve got a great thing going here at RW: a blogging platform with a built-in critique group (often times support group!). But joining a critique group can be a daunting endeavor. Can you share what made you decide to reach out to the writing community?

MS: My first experience ever working with a beta reader was back in my fan fiction days. She nitpicked my grammar, let me know when my characters were being waaaaay too unrealistic, and told me when I could do so much more with a story when I tried to play it safe.

I loved her for it. And five years later, she’s still one of my closest friends. She’s also the one who talked me into writing my first book.

Critique makes you a better writer—it’s really that simple. Yes, critique can be difficult to handle in the beginning, especially if you have paper-thin skin, but it’s a necessity. Sometimes we nail a scene. Sometimes our chapters need work. And sometimes our entire book need a re-write. As writers, we often get too close to a story, and we’re unable to see the things that just aren’t working. Outside eyes help. 

All that said, it is important to find a critique group that matches your style—some readers are brutally honest, and some are more gentle guiders. The one necessity is that you find a group that’s honest. We absolutely need cheerleaders; we also need people who’ll give it to us straight, and won’t let us get away with anything less than our best.

Needless to say, I’m so happy I found you guys. 

RW: Can you share any deets about upcoming projects?

MS: Very, very little deets at this time. But I will say that we haven’t seen the last of Lewis Creek and its baseball boys. ;)

RW: More from Lewis Creek? YES! Okay, final question—and this is incredibly important—what is it that makes Dean Winchester so damn compelling?  *pause for moment of reflective sighing*

MS: *cracks knuckles* Now you’re speaking my language.

We have pie.

We have the Impala.

We have his love for Sam…

And Castiel.

We have the heartbreaking moments.

And we have general badassery. 

All that to say:

RW: You’re the best Michelle!!! 

MS: YOU are. 

About Michelle:

Michelle Smith was born and raised in North Carolina, where she developed a healthy appreciation for college football, sweet tea, front porches, and a well-placed “y’all.” She’s a lover of all things happy, laughs way too much, and fully believes that a little bit of kindness goes a long way.
Michelle lives near the Carolina coast with her family.

Connect with Michelle:   Website | Twitter | Facebook | Tumblr

The Impact of a Mentor

In the Creative Arts, having an amazing mentor can make all the difference in the world. Whether it be writing, dance, graphic design, film production, or music. The greatest mentors are on call twenty-four seven. They return text messages in the middle of the night, provide a guiding hand over the years to help us make the wisest decisions, and have a passion for their art that touches us in such a way, that we can only hope to one day pass that same gift onto someone else.

In my first official year of full-time writing, I was lucky to have my work critiqued by an amazing author who recognized something special in my words. She gave me the confidence to follow my heart and share my stories with others.  I can only dream where I might be today if my path had crossed with hers or another who took an interest in my words when I was younger. So you can image how thrilled I was when my eldest son, Zakaria, met his mentor early in life.

I am fortunate to have the Osceola County School of the Arts  in my county and was ecstatic when Zakaria got accepted into their program. It's renowned for its excellence in academics and for nourishing the creative arts. The only worry I had is that my then sixth grader would be attending the same school as juniors and seniors. I quickly found out how foolish I was for being concerned. Anytime I was at the school, these students were by far the nicest group of kids I'd run into. So when Zakaria asked to take guitar lessons from an older student, I agreed. But never did I foresee the transformation that was to follow. 

Over the next few months, my son went from listening to Top 40 Pop to American Jazz Greats like Charlie Parker, Wynton Marsalis, Charlie Christian, and Louis Armstrong. He'd shed morning, noon, and night. You see he'd met his mentor, James Zito, and a new life path--one that without James he probably would never have taken--was formed. 

Zakaria and James playing downtown

When I first watched James play, I immediately understood why my son fell in love with jazz. His mentor didn't just play the guitar, he became an extension of it. Think spontaneous conviction spurred by passion, channeled through self-expression and then translated into music. Yep, that about describes James' playing. My son was very lucky to find such a talented teacher, but was blessed when that teacher became his mentor.

James' talent has not went unrecognized. Recently, he was accepted into the Manhattan School of Music. A premier international conservatory, this college is only for the highly talented. Check out the GoFundMe link to learn more about James and to hear him play. Even if you are unable to donate, please RT on Twitter and spread the word. You never know whose path that tweet might cross.

How to LOVE critiques

First things first -- I LOVE my critique partners. They are awesomeness incarnate. They trudge through my WIPs with smiley faces, great suggestions, and most of all with a red pen!

SO if you're struggling to understand someone's red ink or comments, here's how I learned to appreciate critiques.

1. Realize you are receiving someone else's opinion.

A great quote to go along with that -- "No two persons ever read the same book." ~ Edmond Wilson. This might seem difficult, but really, it isn't. Take everything with a grain of salt or sugar! You are not required to follow everyone's advice. The story you're writing is, above all else, yours! That said, if three CPs say the same thing, it might need changing. :)

2. If you don't understand a comment, ask!

Don't be shy to chat with your CPs. They want to explain their suggestions, I promise. If something is making you scratch your head, send an email or call them up. Or if you're in a group with time limitations, ask if you can talk to them after all the critiques are finished.

3. Take a deep breath and realize you don't know everything.

This goes for everyone! Even if you've written three thousand books, you can still learn something new. Humility wins out over pride every time. Take a break from your WIP, whether it be a nap or a good night's sleep (or a month or two!) and look at it with fresh eyes. Then you might see what others are saying.

4. Be willing to revise. Or not...

I think all writers understand that we can revise and rewrite a story to death. And sometimes over-revising kills voice and originality.

5. Say, "Thank you!"

With or without the exclamation point. :) Saying thanks is not only good for you, but lets your CPs know that you truly appreciate the time they spent reading and critiquing your words.

6. Pay it forward.

Do your best when critiquing the words of others. And remember to sandwich! Compliment-> sage advice-> smiley face.

As always, thanks for reading! We love hearing from you! Share your wonderful ideas on critique partners or horror stories. :)

What's Your Excuse

Happy Monday, guys and gals! I'm going to chat with you about something that you very well may already be familiar with, but I wanted to throw it out there for those of you who may be new to the writing community or maybe just new to podcasts in general.

If you write genre fiction, especially sci fi and/or fantasy, then you probably already listen to the Writing Excuses podcast. Buuuuuut on the off chance that you haven't had the pleasure, you should seriously think about checking it out.

It's a once a week, 15 min long (give or take) podcast about writing, and it's run by some really cool folks, namely Mary Robinette Kowal, Brandon Sanderson, Dan Wells, and Howard Tayler. Maybe you've heard of them?? The podcast is fun, informative, full of fabulous guest authors, and it's short, so you're not wading through 45 mins of off topic banter before getting to the good stuff.

Season 10 began in January and, taken from the shows transcript: "Each month will focus on a specific bit of the writing process, and each podcast will drill down on one of those bits."

I've enjoyed following along so far this year! And even though it's nearly April, the back episodes, plus all 9 previous seasons are available for your listening pleasure via the archives on their website.

Right now, they're digging into story structure, which is a topic I'm always fascinated by. I really enjoyed today's episode, and I thought maybe you would too.

So if you want to check it out, here's the link: http://www.writingexcuses.com/

Happy Listening!

Three Basics to Setting

As storytellers we want to ground our readers in the setting of our story. Setting is a necessary tool to help our readers relate with our characters. It can also increase suspense of conflict.

1. Always give a location.
Is your story in a room? Which one? A bedroom and a living room are vastly different. Make sure to mention the city, state, or general area. In fantasy, describe the landscape or lack thereof to familiarize the reader.

2. Seasons and weather can increase your reader's association with the story.
Weather allows the reader to experience the sensations your character is feelings in whatever setting you have placed them. We can all relate to rain and cold or a sunny day and heat. A little extra description of the temperature or season can go a long way. Season can also show your story's time length.

3. Time is important!
All people associate time with their own lives. We all feel different at different times of the day. Time can show your character is a morning person or a night owl. Hunger at breakfast, lunch, and dinner are also ways to bring an extra layer of believability to your character.

The ticking time bomb approach can also build conflict and suspense in a story. For instance if a bomb is going off in 24 hours, you've got a new challenge for every hour.

So check out your manuscript and make sure you have offered a location, time, and described the weather surrounding your character's story. We all experience these aspects of life at all times and it is important for your reader to associate these within your story world.

How have you used setting to increase the reliability in your story? Any struggles in building a realistic fantasy world? We love to hear from you!

The Comparison Game (Spoiler Alert: No One Wins)

So. A couple weeks ago, I was chatting with someone on Twitter about how easy it is to get swept away in the comparison game. You see amazing things happening to other writers—heck, to your friends—and sometimes, all you can think is, “Why not me? I'M DOING MY BEST, HERE."

Look, I get it. I know what it’s like when your story more closely resembles a 1,000-piece puzzle that just spilled onto the floor (and a piece has disappeared under the couch, and your dog has eaten a piece, and your kid swiped a couple…), and then you read someone’s post on how they wrote a book in two weeks. I know what it’s like to feel completely lost and wonder whether or not you should keep writing or hop on the next bus to join the circus, and then you wake up to someone’s 6-figure book deal announcement.

But here’s the thing: Comparing yourself to others can be a dangerous game. It hinders your work. It stunts your growth. Because in this crazy writerly world, there are so many different paths to get where you need to go. The path set out for you may not even be on another person’s map. That person who wrote a book in two weeks? Sometimes a story simply pours out of you. Or maybe that person is a pro at fast-drafting and this is their method. And the one who got big bucks for their book? There's no telling how long, or how hard they worked on that book. While it may look like these things happen overnight, they don't. I know it's difficult to see that when you're trudging through the mud of a difficult story (believe me, I KNOW), but they just don't.

It’s been said time and time again, but I’ll say once more, with feeling: Eyes on your own paper. If that means taking a Twitter break, do it. If that means cancelling your Publisher’s Marketplace account, do it. My motto lately has been “head down and WORK,” and let me tell you, it’s been a sanity-saver. I love when great things happen for even greater people. And when I take regular breaks and focus on my own work, I find that I'm able to be even happier for them. Sure, jealousy may flare once in a while - we're only human. But it's possible to turn that into motivation to work harder on my own stories.

There's no way to win the comparison game. When you compare yourself to others, you take away from the amazingness that you have to offer. No one can write the book you’re writing. So don’t shortchange yourself, ‘kay?