Different writers at different stages of the game, hammering away at revisions-- one page at a time. Now go forth and write ALL THE WORDS.
Monday, June 15, 2015
For the Love of Writing
It's summer and things can get crazy! Here are some quick tips to get you in your writing zone even if it's just for 10 minutes.
1. Get to a place where you can write. Hide in a closet or go to your room. If you must, hide in your car. Lock the door.
2. Write for a minute or two about anything. Exercise those brain muscles to get in the zone.
3. WRITE!
4. If you hit a wall... Go to places you've never gone to before. Explore the limits of your imagination.
5. Break some writing rules. We all know them. Do something new and unexpected!
6. The writing is gonna be a little weird. That's okay! You're writing!
7. If you don't have any ideas, try fan fiction. Hey... 50 Shades of Gray...
8. Stay in your place for the time you've allotted. Ten minutes can fly by! Keep your butt there.
9. If you stayed and wrote, then CELEBRATE!
If you can steal ten minutes several times a day, and if you make it a plan, you might have a shiny first draft done by the end of summer!
We can do this!
How about you? Do you have any secrets to stay on track with writing during the busy months of summer? Let us know! We love hearing from you!
Monday, May 11, 2015
Capturing Your Character's Voice
Have you received feedback from your critique partners that says something like:
Love the story, but I'm just not connecting with you main character.
or
The plot is great, but the voice isn't coming through.
or
Exciting chapter! But... The character seemed a little flat.
If you have, then a unique voice in your manuscript might be missing!
Love the story, but I'm just not connecting with you main character.
or
The plot is great, but the voice isn't coming through.
or
Exciting chapter! But... The character seemed a little flat.
If you have, then a unique voice in your manuscript might be missing!
What should you do?!?
Rewrite the entire novel?
Rewrite all the dialogue?
Rewrite the chapter?
Take a deep breath. And before you hit the delete button, try one of these.
1. After the deep breath, go here. Dig deep and discover your main character. If you have multiple POV characters, you'll need to do this for all of them. Then take another deep breath, drink some coffee (or favorite beverage of choice) and get to work giving your character a voice of their own!
2. If above doesn't help, try a character interview. Here's one. Or make up your own. What do you want to know about your character that your character isn't telling you? Take a couple of days, week, a month to sift through the possibilities. After all, you're the creator!
3. Chat with a trusted critique partner or writing mentor. Have them give your WIP a look-see. Ask for advice.
4. Call your mom. She'll tell you you're awesome.
5. Try, try, try again until you get right. You're the best judge of your work. If you're not satisfied, give it another go! Don't give up!
We love to hear from you! What do you do to deepen character development? Do you have a favorite character chart? Has your WIP voice fallen flat?
Monday, May 4, 2015
Words, Glorious Words
There are bunches of reasons why I decided to start writing,
but I today I’m going to stick with just one: WORDS. I love ‘em.
When I hear
something funny, a beautiful description, or a phrase that skillfully encapsulates
a feeling, I’m smitten by both the content and by the arrangement of words
themselves.
There’s so many ways to say a thing! When you’re trying to
perfectly capture a specific sight, sound, or emotion, the vast options of
words, and the millions of ways you can arrange them, can be exciting. It can
also be a bit paralyzing at times, though.
It’s like dumping out all the pieces of a hundred different
puzzles onto a table, and then trying to fit together a single matching row.
When I’m stuck and can’t for the life of me land on the
right word, one of the first things I do is look over my words list. Yup, that’s
right. I collect words. J The words come from all over—people speaking
IRL, T.V. shows, books—and the words I keep can stand alone or be an entire
sentence.
Of course, I don’t use other people’s constructions in my work, but sometimes I need inspiration that only a fantastic sentence can provide.
I keep a list on my phone that’s simply titled Word List.
(Super Original, I know.) Here’s a few things I’ve put aside for future
consideration:
Blight
Hoist
A devil’s expression
Trying out the shape of his mouth on my lips
The list goes on and on, and my friends have grown used to
me saying “Ooh, that was good. It’s definitely going on the list."
So tell me, do you have any word fetishes, like maybe you
sleep with a thesaurus under your pillow? Or…um, something. ;D
Sunday, April 26, 2015
When One Change Makes All the Difference
Well, hi there! It’s been a while since I’ve
posted, but I come bearing something preeeeetty awesome.
It's a real, live book! And I wrote it!
I really, really love this book. A lot. Like, a
lot, a lot. You know how writers often refer to stories as “books of their
heart”? That’s what PLAY ON is for me. But a lot of work has gone into this
little book over the past two years, from its original draft to the final
product. And that's what we're going to talk about today.
Take a look at this picture:
Never mind the Lego photobombs. Those Post-It
tabs? After a year's worth of editing, those are the only scenes left over from the original draft. In case you can't tell, that's 13 scenes. Out of, um, a lot.
I’ve written before about whether we want our
stories to be good enough, or great, and this is kind of a continuation of that post. I’d say that most of the time, our first
drafts are anything but great. There are some people who write AMAZING first
drafts (and those people clearly have the favor of the writing gods), but for
the most part, our work can be improved.
While I was waiting for my first edit letter after selling PLAY ON, my editor called me and asked, “How do you feel about cutting
(insert major character here)?” My initial reaction, to be quite honest:
She explained her reasoning (which made
complete and total sense), and after sleeping on it, I agreed, even though it
meant essentially rewriting the story. Because, as I quickly learned,
sometimes we have to part with beloved characters/scenes/subplots to really
bring out the heart of a story.
She saw PLAY ON not for what it already was, but
for what it could be. And that’s why having outside eyes on our work is SO
important. We become so close to our stories that we often can’t see something that may be keeping it from reaching its full potential.
So. Let’s say that someone—a CP, a beta
reader, or even you—suggests that a major change needs to happen to make your
story better. Maybe a character needs to go. Maybe it’s a chapter. Maybe you
need to open a blank doc and get to re-writing (points to above picture). Here
are a few things to keep in mind:
- Be open to change.
- Think about what really matters in your story.
- Decide
where you want your characters to go, and how you want them to get there.
I know how difficult it is to even consider a change that may mean more work, but when you end up with a story that you're so incredibly proud of? It's worth it.
Monday, April 20, 2015
Author Interview: Michelle Smith
![]() |
| Visit author Michelle Smith's website. |
We are
so thrilled and honored to feature writer, critique group member, mental health advocate, and all-around awesome
human, Michelle Smith.
Michelle’s debut novel YA novel, PLAY ON, is now available as an e-book and will be out in print on April
21st.
First, an intro to PLAY ON:
PLAY ON
In the small town of
Lewis Creek, baseball is everything. Especially for all-star pitcher Austin
Braxton, who has a one-way ticket out of town with his scholarship to a top
university. All that stands between him and a new start is one final season.
But when Austin starts flunking Chemistry, his picture-perfect future is in
jeopardy. A failing grade means zero playing time, and zero playing time means
no scholarship.
Enter Marisa Marlowe,
the new girl in town who gets a job at his momma’s flower shop. Not only is
Marisa some home-schooled super-genius, she’s also a baseball fanatic and more
than willing to help Austin study. As the two grow closer, there’s something
about Marisa that makes Austin want more than just baseball and out of Lewis
Creek–he wants a future with her. But Marisa has a past that still haunts her,
one that she ran all the way to South Carolina to escape.
As Austin starts to
peel back the layers of Marisa s pain, it forces him to look beyond the facade
of himself and everyone he thought he knew in his town. What he sees instead is
that in a small town like Lewis Creek, maybe baseball isn’t everything–maybe it
is just the thing that ties them all together.
RW: We have so many questions for you! But, we also
know you are crazy busy with your release day (!!!) so we’ll try to keep it
together. Let’s talk about your debut! You’ve mentioned PLAY ON is the
book of your heart. Could you share what makes this story so dear to you?
MS: I think
because it comes from such a personal place. It probably sounds cheesy, but so much of my heart and soul went into
those pages. There are thoughts that I never thought I should share—thoughts
that I didn’t know I could share. The
idea for this book was in the works for a long time, until I finally worked up
the nerve to start writing it. And I’m really glad I did!
RW: I think
many writers feel a sense of vulnerability putting their words out into the
world. Not only have you jumped that hurdle, you’ve gone a leap further and
opened up about yourself, authoring posts for outstanding sites like To Write Love on Her Arms and, don’t bleed. breathe. Can you tell us about the decision
to share your personal experiences?
MS: The
primary reason is so others will realize that they’re not alone.
When I was
going through the thick of depression, I was convinced that no one could possibly
understand what my head was doing. That I was broken, that I was scarred, that
I was beyond reaching. That there was no possibility for this to go anywhere
but down. Depression is a very convincing liar, and it’s easy to believe those
lies. So I want others to know that, while depression is so very dark and
painful, there is hope, and the
darkness doesn’t last forever.
RW: As
critique partner, we’re all constantly amazed by your voice. Your characters always ring true, so vivid and
memorable. Can you share a little about your character development process? Character
sketches? Channeling spirits? How do you do it?!
MS: Good
gracious, I adore you guys.
I just…write
people? Haha! My stories are always characters first, and I love to dive into
their heads, to feel what they’re feeling, to say what they’re thinking. I will
say that some characters are a little more difficult to connect with at first. In
my most recent WIP, I was called out for boxing myself and my characters in,
which was completely justified (I kind of realized I was doing it while writing). So my editor sent me a
character development worksheet that was 8 pages long (I am not even kidding),
and I just went to work. I was able to dig into them a little deeper, and it
helped immensely.
RW: We’ve
got a great thing going here at RW: a blogging platform with a built-in
critique group (often times support group!). But joining a critique group can
be a daunting endeavor. Can you share what made you decide to reach out to the
writing community?
MS: My first
experience ever working with a beta reader was back in my fan fiction days. She
nitpicked my grammar, let me know when my characters were being waaaaay too
unrealistic, and told me when I could do so much more with a story when I tried
to play it safe.
I loved her
for it. And five years later, she’s still one of my closest friends. She’s also
the one who talked me into writing my first book.
Critique
makes you a better writer—it’s really that simple. Yes, critique can be
difficult to handle in the beginning, especially if you have paper-thin skin,
but it’s a necessity. Sometimes we nail a scene. Sometimes our chapters need
work. And sometimes our entire book need a re-write. As writers, we often get
too close to a story, and we’re unable to see the things that just aren’t
working. Outside eyes help.
All that
said, it is important to find a critique group that matches your style—some
readers are brutally honest, and some are more gentle guiders. The one
necessity is that you find a group that’s honest.
We absolutely need cheerleaders; we also need people who’ll give it to us
straight, and won’t let us get away with anything less than our best.
Needless to
say, I’m so happy I found you guys.
RW: Can you
share any deets about upcoming projects?
MS: Very,
very little deets at this time. But I will
say that we haven’t seen the last of Lewis Creek and its baseball boys. ;)
RW: More from Lewis Creek? YES! Okay, final
question—and this is incredibly important—what is it that makes Dean
Winchester so damn compelling? *pause for moment of reflective sighing*
MS: *cracks
knuckles* Now you’re speaking my language.
We have pie.
We have the
Impala.
We have his
love for Sam…
And Castiel.
We have the
heartbreaking moments.
And we have
general badassery.
All that to
say:
RW: You’re
the best Michelle!!!
MS: YOU are.
About Michelle:
Michelle Smith was born and raised in North Carolina, where she developed a healthy appreciation for college football, sweet tea, front porches, and a well-placed “y’all.” She’s a lover of all things happy, laughs way too much, and fully believes that a little bit of kindness goes a long way.Michelle lives near the Carolina coast with her family.
Connect with Michelle: Website | Twitter | Facebook | Tumblr
Labels:
About Us,
baseball,
Critique,
critique partners,
Dean,
depression,
encouragement,
Gifs,
Inspiration,
Michelle,
PLAY ON,
Rina,
Tips,
voice,
Writing
Sunday, April 12, 2015
The Impact of a Mentor
In the Creative Arts, having an amazing mentor can make all
the difference in the world. Whether it be writing, dance, graphic design, film
production, or music. The greatest mentors are on call twenty-four seven. They return
text messages in the middle of the night, provide a guiding hand over the years
to help us make the wisest decisions, and have a passion for their art that
touches us in such a way, that we can only hope to one day pass that same gift
onto someone else.
In my first official year of full-time writing, I was lucky
to have my work critiqued by an amazing author who recognized something special
in my words. She gave me the confidence to follow my heart and share my stories
with others. I can only dream where I
might be today if my path had crossed with hers or another who took an interest
in my words when I was younger. So you can image how thrilled I was when my eldest son, Zakaria, met his mentor early in life.
I am fortunate to have the Osceola County School of the Arts in my county and was ecstatic when Zakaria got accepted into their program. It's renowned for its excellence in academics and for
nourishing the creative arts. The only worry I had is that my then sixth grader would be attending the same school as juniors and seniors. I
quickly found out how foolish I was for being concerned. Anytime I was at the
school, these students were by far the nicest group of kids I'd run into. So
when Zakaria asked to take guitar lessons from an older student, I
agreed. But never did I foresee the transformation that was to follow.
Over the next few months, my son went from listening to Top
40 Pop to American Jazz Greats like Charlie Parker, Wynton Marsalis, Charlie Christian, and
Louis Armstrong. He'd shed morning, noon, and night. You see he'd met his
mentor, James Zito, and a new life path--one that without James he probably would
never have taken--was formed.
![]() |
| Zakaria and James playing downtown |
Monday, April 6, 2015
How to LOVE critiques
First things first -- I LOVE my critique partners. They are awesomeness incarnate. They trudge through my WIPs with smiley faces, great suggestions, and most of all with a red pen!
SO if you're struggling to understand someone's red ink or comments, here's how I learned to appreciate critiques.
1. Realize you are receiving someone else's opinion.
A great quote to go along with that -- "No two persons ever read the same book." ~ Edmond Wilson. This might seem difficult, but really, it isn't. Take everything with a grain of salt or sugar! You are not required to follow everyone's advice. The story you're writing is, above all else, yours! That said, if three CPs say the same thing, it might need changing. :)
2. If you don't understand a comment, ask!
Don't be shy to chat with your CPs. They want to explain their suggestions, I promise. If something is making you scratch your head, send an email or call them up. Or if you're in a group with time limitations, ask if you can talk to them after all the critiques are finished.
3. Take a deep breath and realize you don't know everything.
This goes for everyone! Even if you've written three thousand books, you can still learn something new. Humility wins out over pride every time. Take a break from your WIP, whether it be a nap or a good night's sleep (or a month or two!) and look at it with fresh eyes. Then you might see what others are saying.
4. Be willing to revise. Or not...
I think all writers understand that we can revise and rewrite a story to death. And sometimes over-revising kills voice and originality.
5. Say, "Thank you!"
With or without the exclamation point. :) Saying thanks is not only good for you, but lets your CPs know that you truly appreciate the time they spent reading and critiquing your words.
6. Pay it forward.
Do your best when critiquing the words of others. And remember to sandwich! Compliment-> sage advice-> smiley face.
As always, thanks for reading! We love hearing from you! Share your wonderful ideas on critique partners or horror stories. :)
Subscribe to:
Posts (Atom)





.gif)









